Dr. Timothy Leary looking into the future. |
Lion of Light: “Do What Thou Wilt” p. 134 – 156
Do what thou wilt shall be the whole of the Law.
Aleister Crowley’s flamboyant personality and life-style sometimes overshadows his philosophy and work especially when looked at superficially. He’s been called the “archetypal villain in 20th Century.” We used to joke about someone receiving vague, unfair, criticism – “what’s the matter, did he kick your dog?” Yet, that’s exactly what W. Somerset Maugham has the vile character Oliver Haddo, based on Crowley, do in his novel The Magician to kick off the conflict. (Joyce has “shaddo” in Finnegans Wake.) Perhaps that’s where the expression originated, or maybe Maugham found it humorous to begin his caricature that way. I remember seeing an effeminate villain clearly based on Crowley in the Basil Rathbone, Sherlock Holmes film, The House of Fear. It’s not difficult to find other examples. This seems ironic given that Aleister spent considerable time using various devices in the attempt to get outside his everyday persona and tunnel realities. Wilson presents two such instances at the beginning of this section and quotes “Saint Aleister” as saying: “How can one hope to understand the world if one persists in regarding it from the conning tower of one’s own personality?”
Lion of Light devotes little attention to Aleister Crowley’s outsize and outrageous reputation though sometimes pokes fun at his critics. In this short 22 page section, Wilson compares Magick and Thelema to a wide variety of thinkers, researchers, disciplines and paths. The most prominent of these, perhaps, being the good doctor Timothy Leary, another character with a larger than life reputation. Wilson also references, in no particular order: Thomas Pynchon, Carlos Castenada, J.G. Frazer, John Lilly, Cleve Backster and telepathic plant research, Bhagavan Shree Rajneesh, Gurdjieff, Lao-Tse, John Lilly, John Allegro, Andrei Pujarich, R. Gordon Wasson, Weston LeBarre, Sufism and two of their mystics, Fariduddin Attar and Hazrat Inayat Khan, Wilhelm Reich, Francois Rabelais, Oscar Wilde, Hippocrates, Mordecai the Foul and the Master Therion among others.
Apart from Leary, some of these other names seem equally controversial. P.D. Ouspensky felt that Gurdjieff was “evil” and possibly insane; he forbade his students from visiting Gurdjieff and his Institute while preaching and practicing G’s system his entire life after coming to know it. Oscar Wilde got imprisoned in extreme harsh conditions for loving the wrong person and being indiscreet about it. Wilhelm Reich got imprisoned for research the American Medical Association didn’t approve of which lead to his mental instability and eventual death in prison. Many people seem certain that Carlos Castaneda was a fraud who made up Don Juan out of thin air. Wilson quite perceptively quotes Castaneda appearing to address this in part, a quote that also applies to Crowley and his masks: “Little by little you must create a fog around you until nothing can be taken for granted, until nothing is any longer for sure, or real . . .” I suspect Don Juan was based on a real person or a composite of real people which Castaneda greatly embellished. This suspicion in part comes from hearing an unreleased interview of Claudio Naranjo who was best friends with Castaneda when they both went to U.C.L.A. The morning before reading this section to write this post, I was moving firewood with an old friend I see seldomly who happened to mention Journey to Ixtlan, the book quoted here.
This section initiates the student with an examination of the word THELEMA and its correspondence with AGAPE. We get a sense for why it’s known as the “93 current.” I found the comparison with Khan’s version of Sufi philosophy regarding will, love and consciousness insightful and unique to Thelemic exegesis. Wilson extolls the benefits of a positive outlook with a quote from Khan’s Cosmic Language: “It is an optimistic attitude toward life which develops will; the pessimistic attitude reduces it, robs it of its great power. Therefore if there is anything which hinders our progress in life, it is our own selves.” This gets followed by an interesting bit that compares the lack of telepathic ability to the widespread Victorian belief that women were unable to have orgasms. Wilson calls this “trained impotence.” He makes the claim: “it has been easier and easier for magick students and others to unleash their own telepathic powers.” This holds true for me. RAW prefaces this riff with pertinent quotes from Magick in Theory and Practice the last of which states: “WoMan is ignorant of the nature of hir own being and powers. . . . There is therefore no reason to assign theoretical limits to what she may be, or to what she may do.” (translation mine). We have been programmed with sets of limiting beliefs by our cultural. Though not mentioned here, a useful practice for getting past these limiting beliefs is “Beliefs Unlimited,” a metaprogram written by John Lilly that can be found online or in his book The Center of the Cyclone.
I disagree with RAW and the Golden Dawn on one point: the aphorism that “Fear is failure, and the forerunner of failure,” a phrase that pops up from time to time in RAW’s fiction. I have a problem with the absolute inevitability implied by the word “is”. I agree that giving in to fear may lead to failure but not that it’s always a forerunner. In bardo training we’re told that it’s ok to feel fear but not to react to the fear by panicking. Speaking of telepathy, sometimes a fear sensation can be a warning of danger that thus may be avoided. The words “DON’T PANIC” appear on the cover of The Hitchiker’s Guide to the Galaxy, which serves as a science fiction Book of the Dead – very early on in the story, all life on Earth, including Earth itself gets blown to smithereens except for Arthur Dent whose initials, A.D. = after death. RAW also provides a definition of the Great Work related to the integration of the psyche which seems accurate enough. However, the Great Work has multiple definitions which gets acknowledged by RAW when he provides a different definition for it at the end of this section.
Wilson clearly doesn’t like to pay rent, who can blame him? He sounds a little ambiguous in what people should do about that. It seems like he may be playing with and/or challenging the reade. He first says it’s simply a matter of “waking up” and “stop paying” which gets immediately followed by a Rajneesh directive that when becoming enlighted to “go on behaving in your society as it requires” which, of course, includes paying rent. Then he rejects this “passive posture” and cites Jesus, Crowley, some early Sufis and Adam Weishaupt as examples, which sounds a little dubious, to me. Finally, he rails against rent again ten pages later as medieval exploitation. This ties in with his riff on the inequality of wealth between the “master class and servile class,” – still very relevant. It seems a little absurd to give the instruction “wake up and stop paying” unless he intends to communicate something else. “Stop paying” could be a pun for stop fighting or stop war. The Hebrew letter Peh corresponds with the Tower Tarot card also called War connected with Mars where all the war gods hang out. The paragraph before the rent diatribe has Gurdjieff saying that all that’s necessary to stop the current war of the time, WWI, is for people to wake up and stop shooting each other. Fighting each other seems completely counter-productive to progress of any kind, whether on a personal, political, or a global scale. On the personal level, contention and fighting seems very detrimental to any kind of alchemical construction. The instruction may simply be “stop paying” with rent presented as the context for saying it.
This section briefly goes into the energetics of Sex Magick, and tantra. On page 144 he cites what different researchers and cultures have called this phallic energy/life-force. Gilles Deleuze calls it “sense.” RAW presents a sex magick technique in the Pynchon Gravity’s Rainbow quote.
Apart from Crowley, Timothy Leary gets the most airplay in these pages. In an earlier comment I said RAW called Leary Crowley’s heir, but I was wrong, I didn’t read the full context and assumed he meant Crowley. He quotes Leary writing about Hippocrates from his book Jail Notes, a pretty abstract book mostly from what I remember though this selection appears clear and on point of the subject of drugs, then calls Leary Hippocrates disciple and direct heir. However, you can find a You Tube clip of Leary saying something to the effect that he’s carrying on Crowley’s work. Rabelais, a medical doctor as well as a satirical writer mentioned earlier in this section as a Thelemic antecedent also consider Hippocrates a major influence. We can find a direct line of transmission connecting Hippocrates to Rabelais then to Crowley and finally to Leary. Wilson introduces the very important “game-concept of human behavior” given by Leary along with his Interpersonal Grid that identifies different personality types and the games people play. This section concludes with an early presentation of Leary’s Eight Circuit Model of Consciousness, so early that it only has seven circuits. This section appears very information rich.
Love is the law, love under will.
Oz
Apologies for the multiple typos, I've been very busy and wrote this at the last minute. I usually proof it twice, but only did it once this time. I was going to list the errata but think it's clear enough what the mistakes should read.
ReplyDeleteAs Oz writes, RAW cites a great many people in this section of the book.
ReplyDeleteOne of the people cited is "Mordecai the Foul," on page 140, who is quoted as saying, "The ego is a conspiracy by society for which you take the blame."
According to Adam Gorightly, "Modecai the Foul" is Robert Anton Wilson's Discordian name:
http://historiadiscordia.com/discordian-culture-jamminganarcho-surrealism-by-mordecai-zwack/
So in this passage, RAW appears to be quoting himself.
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DeleteThanks Tom, I didn't know Mordecai the Foul is an alter ego for RAW. Interesting that he slipped that in there after writing of Crowley's alter egos.
DeleteThank-you for this post, it helps my understanding of the book. But I don't see what Timothy Leary's gaming concepts and personality grid have to do with Aleister Crowley and magick?
ReplyDeleteMy brief read on RAW's take on Crowley is that it's not about magick so much as a man expanding his consciousness into multiple dimensions, and the circuit map provides some context and structure for those "multiple dimensions'
ReplyDeleteIronically, the French word for peace is paix, pronounced pretty much the same way than Peh.
ReplyDeleteI understand “stop paying rent” as something along the lines of ‘stop giving in to illusions’, especially in order to stop submitting to someone else’ authority. If “everyone man and every woman is a star”, then it follows that “there is no governor anywhere”.
The terrifying escalade of Pehing going on these days makes me wish we wouldn't have governors leading us into oblivion. It's like the old joke, "I wasn't born an anarchist, my government made me one."
On page 144, RAW enumerates some cultural equivalents of Reich’s orgone. Now, I am no expert but I think ‘chi’ or ‘qi’ might have been more accurate than “Tao”, although both concepts are related.
Cleve Backster’s evidence suggesting “that vegetation is in intimate telepathic contact with human beings” (p.152) reminds me of the 1979 documentary The Secret Life of Plants, soundtracked by Stevie Wonder.
https://letterboxd.com/film/the-secret-life-of-plants/
In the Jail Notes, Leary claims that Hippocrates lists eight generic sacraments, and some of those seem pretty outlandish to me. Just as an example, Wikipedia tells us that “Amphetamine was discovered as a chemical in 1887 by Lazăr Edeleanu, and then as a drug in the late 1920s.” Then again, RAW calls the Notes “satirical”.
We find a typo on page 146, when talking about the Leary Interpersonal grid, RAW mentions “quadrant 5 (H – L)”. Quadrant 5 is only H - I. I guess most people could have worked that out on their own, but it did confuse me for a while.
Brisa, my understanding of the connection between the Leary Grid and Aleister Crowley is that the Beast was working his way around it with experimentation such as the Count Svareff one (although of course the Interpersonal Grid is a model that came after Crowley’s death).
Authority and submission appears two themes in particular he had in mind while becoming a Count to the eyes of others. And on page 140, RAW writes that “we do not know our true will or our true mind in authoritarian society because we are trained from infancy to repress both.”
Axiom 8 from Magick in Theory and Practice says: “a man whose conscious will is at odds with his True Will is wasting his strength. He cannot hope to influence his environment efficiently…”
So in order to influence one’s environment (a definition of magick being to cause changes to happen according to one’s will), one need to know their True Will. And according to RAW and Crowley, this can only happen once repressions in response to authority have been banished from one’s own life.
RAW says it again, with a different wording, on page 149: “On Leary’s Interpersonal Grid, each individual ‘ego’ is a compulsive attachment to certain game-patterns in one quadrant or another; the new self, after the Great Work is completed, appears then […] as a circle covering all quadrants.”
I find it historically interesting to see the 8C model presented here, with one circuit missing, and a fair amount of confusion between some circuits when compared to the more final version we can find elsewhere.
We can also find the model presented with only 7 circuits in Seven Up, the 1972 album Timothy Leary recorded together with the German band Ash Ra Tempel. In fact, the liner notes are a detailed description of each circuit, written by Leary and already featuring the three-fold division of input, processing, and output that we also find for instance in The Game of Life book. The first four circuits are dubbed “space ship”, while the next three are “time ship”.
https://www.youtube.com/watch?v=xjMwy67lFQg
That's interesting about Paix and Peh sounding alike and having polar opposite meanings. It reminds me of the word play in Finnegans Wake where the sound of the words has a major role. Joyce plays around with peace a bit – one of the main characters is Shaun the postman and at one point Joyce has "Shaunti and Shaunti and Shaunti again." which recalls a common Sanskrit chant: "shanti, shanti, shanti," that means "peace, peace, peace." One of Gurdjieff's favorite haunts to hold court or write was the Cafe de la Paix which is in the Grand Hotel building near the Opera in Paris. I ate dinner there once just because it had been Gurdjieff's spot. I think it's still there.
ReplyDeleteThe two part instruction RAW gives "wake up and stop paying," the first part "wake up" suggests a state emerging out of illusions.
Brisa, I also think coming to know oneself with the aid of Leary's grid might aid the journey of True Will. I see True Will more as a path than a set determination. In other words, it my alter, change and get modified as one progresses.
Thanks for finding that typo, Spookah, I'll pass the info along.
Well Oz, I finally read your post and the latter half of "Do What Thou Wilt" this weekend, so for the chaos. There were some funny coincidences that occurred over the last two weeks with what you wrote here. Both occurred during conversations with Adie:
ReplyDeleteFirst, we were talking about fictionalized Crowleys and how Maugham still makes his odious Haddo more interesting than his autobiographical character in /i/Of Human Bondage/i/ and Haddo's opponent in the narrative.
Second, she was asking me about how one would learn to "talk precisely." I thought about it for a moment and answered Castenada. I then recommended starting with /i/Journey to Ixtlan/i/, as that was the first Castaneda book I read. I was surprised by how much sense it made at the time- I had always turned up my nose at Castaneda as too New-Agey and an obvious fraud. The more I read, the more surprised I was at the similarities between Don Juan's teaching and those in Thelema. It's a severe and awesome (in the Biblical sense) philosophy. So there's definitely something there. It was actually at the behest of Will Parfitt, who I mentioned in my post this week, that I read Castaneda in the first place. We've talked about the providence of Don Juan before, and I found your arguments very convincing. As a note, like fictional Crowleys, I also love fictional Don Juans. The two best are Don Juan Impossible from /i/The Venture Bros./i/ and Don Brouhaha from /i/Everything You Know Is Wrong/i/.
Another brilliant psychologist who spent time in prison under Mussolini's government was Roberto Assagioli.
I have actually found the “Fear is failure” line incredibly powerful in my life, perhaps because of its severity. However, I was just thinking today about the line at my daughter’s volleyball game and how it isn’t literally true. I impressed it upon her as a child and she even would sigh and finish it when I began to recite it by the time she was six. The first time I introduced it to her, she was four and crossing a fallen tree over a creek bed on our farm. After walking her out halfway, I took a gamble and backed away from her until she was alone. I told her that she had no other option but to conquer her fear and finish walking across the tree alone. That was when I introduced the phrase. It worked then, but that might have been dumb luck. It isn’t necessarily true, but it is powerful and has served me well.
Just saw this now. Castenada was a huge influence on me slightly before I got into Thelema. Fear sometimes forecasts failure, but not always, in my experience.
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