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Bobby Campbell (from RAW Art) |
Happy Maybe Day!
The Sex Magicians Chapters 15-18
After my long absence, I'm going to cover the last four chapters of The Sex Magicians. Much of the end of the book is composed of the pornographic climax of the novel and we see greater examples of sexual excess and greater doses of profane humor. Wilson needed to give the reader what they came for, right? I could spend a lot of time talking about the potentially uncomfortable or disturbing aspects of the orgy at the Kelly house and along Hugo de Naranja's milk route before he arrives and joins said orgy. But I feel as if I've already dissected so many of the potentially ethical issues and developments in attitude while also pointing out that the novel was supposed to be sensationally salacious, so I'm going to refrain. (This is a LIE. I ended up doing this despite my intentions.) Instead, I'll go ahead and point out the "moral" of The Sex Magicians, if it can be said to have a moral.
Being penned by Wilson, I think it is understandable to presume there is some messaging herein. I'd say that one of the first messages can be picked up on in Sput's asides to his butler as he contemplates the tribadic encounter long after his party has otherwise died down. "The whole world is crazy...Literally crazy. Stark raving mad. Imagine, there are guys busy tonight, crawling through stinking fly-infested jungles to blow up other guys- or women and children even. And other guys trying to square circles or find subatomic particles smaller than the quark. Imagine! when we could all be balling each other. The whole world is mad." Now, being Sput it is going to have some irrational element (he later has the two girls sit astride his penis and face while making them pretend to be Gloria Steinem and Kate Millet): I don't think Wilson thought mathematics or physics was a waste of time. I also believe Wilson was aware that many people in Vietnam (or other warzones) didn't want to be there. But, I think that if anyone were to raise a contemporary objection, Wilson could have pointedly asked why is a fictional work of pornography more upsetting or pressing than the myriad of larger issues we have in the world?
This has been used often in defense of pornography and other "obscene" materials. What does it matter what a fictional character does? What does it matter if people consensually film or photograph themselves in sexual situations? Now, this argument isn't foolproof: the objector can point out that it is possible to have multiple concerns, that elements of the porn industry have always been rife with exploitative practices; they could even ask you to think about the children. But, I will say this: those voices are usually very focused on pornography (and, seemingly inevitably, the private sex lives of others) and not antiwar activism, they don't seem to think very highly of pornographic actors in the first place and I'll be damned if I ever let someone of a conservative persuasion convince me they actually care about any children that aren't in front of their goddamn face. Napoleon, famed pacifist and benefactor of humanity, was very concerned about the effects that de Sade's writing could have on society. So, in conclusion to this paragraph; if someone is concerned about the contents of The Sex Magicians or other such similar materials in 2025- go fuck yourself.
I believe that message could be taken literally, as anyone overly concerned about "obscene" books could probably deal with a bit of relaxation and self-exploration.
Some more elements of Illuminatus! appear in these closing chapters: the first published appearance of Miss Portinari in Chapter 15 is notable and the further integration of the Illuminati and the Church of Scientific Illuminism in Chapter 17 brings up the mention of Weishaupt's science of fives, funfwissenschaft, which evidently he uncovered during a game of strip poker. It is also during Chapter 17 (and Chapter 18) that Wilson portrays his contemporaneous beliefs in the energies that arise during sex. Having been influenced by the work of Crowley and the (mis-)interpretations of Louis T. Culling, Wilson would have experimented with sex and magic by this point in his life. We can also see his conviction that sex is a way of merging together, of greater understanding, evident in the final pages of his first novel. With a greater awareness of consent and exploitation, our current times don't always have the same rosy view of sexuality as the counter culture of the Seventies; and, somewhat conversely, we have a greater idea of expression and spectrums than that day and age.
In today's world, most of us would rankle at the idea of John Kelly propositioning his fourteen year old little sister, while simultaneously having a negative reaction to the portrayal of gay men in the YMCA and the racial aspects of some of the sex scenes. Then again, is that not perhaps the public face that we put atop the desires of the unconscious and preconscious mind? It is easy to find thinkpieces written in the last decade about the prevalence of incest porn. Craigslist was famous pre-Pandemic for the sheer variety and the scope of imagination demonstrated by sleazy advertisements for gay hookups. The rate of Grindr downloads explodes wherever the Republican National Committee is holding a convention. And it doesn't take much effort at all to find pornographic content centered around race. There will, most likely, always be a seediness to sex; whether this is because of moral failings, or manifestations of the id that should be tamped down upon, or because of societal shame and repression is for each person to ruminate over.
So we leave The Sex Magicians with the Mama Vibe defused, Josie and Markoff Chaney inducted into the Church of Scientific Illuminism and Dr. Prong's new relaxation method. The relationship between Stella, Tarantella and himself is as sexually charged as anything else in this book, but with a distinct element of love. We say goodbye to Mongolian Cluster Fucks and pornographic Tarot cards with Dr. Prong relieved of his anxieties about Ezra Pound and living in a world that is a good place to be. Like most of Wilson's protagonists, the end is illumination- a greater awareness of the pleasurable and the beautiful suffusing the character's worldview and hopefully the reader's. I do believe that is what Wilson was trying to turn us all onto over the course of his career and we can find here that his commitment goes back to the beginning of his career. A dirty mind and a great soul can accomplish a lot.
Love is the law, love under will.
Good to hear from you again, Apuleius!
ReplyDeleteI will come back in a few days for a proper comment, after going back the The Sex Magicians for a memory refresh.
Thank you for posting this. Do you plan to do a post on your afterword?
ReplyDeleteNice to get back to this. The description of Napoleon cracked me up. The video title, "Every 1's a Winner" makes a synchronicity with my next Vineland post.
ReplyDeleteStarting at the top Chapter 15 I find RAW doing some significant messaging so I will comment a little at a time. He definitely communicates something here: "Undisturbed, the little nihilist wandered on and on into the plastic universe of Will which we slightingly call unconsciousness" (p. 105). Possible brain-change info for you there.
The "on and on" qabalistically foretells the next part about Mary and Stan getting married. This section has a few different references to The Fool in the tarot, a card that symbolizes an androgynous character – a blending of male and female energies, also what the formula "on" represents.
"Next Sunday! (p. 105) = 111(N=50 +S=60+!=1) the valuation of Aleph spelled in full in Hebrew, the letter corresponding to The Fool. The Sun appears over the The Fool's crotch in the Thoth Tarot.
"O, isn't it wonderful" Wilson repeats "wonderful" 4 times in the dialogue. Two become one when getting married. Aleph has the value of 1 in Gematria.
The so-called French phrase Stan brings up "Sox ant nerve" (p. 106) which Mary repeats, more correctly reads: "soixante-neuf" (69). The way Wilson mutates it produces a value of 111.
There does appear some experiences of sex magick blended in with the porn in chapters 15 & 16. Father Treponema's ironic name appears a warning against excess. Treponema bacteria causes syphilis.
ReplyDeleteBobby's illustration of The Fool above looks great! I love what he says.
ReplyDeleteThe first few paragraphs of Chapters 16 and 17 have interesting parallels. Both begin with Simeon talking about a Mama Vibe. Ch. 16 then has Dr. Prong saying "I don't believe in Vibes". Ch. 17 starts with "Believe me". In 16 Josh Dill connects Mama Vibes to a kind of ESP. In 17, Simeon begins the sex magick proceedings by giving an exercise in telepathy to Prong and Stella. Incidentally, perhaps only coincidentally, Vibe adds to 23.
Chapter 17 seems the most cosmic with much sex magick in it. Wilson connects Simeon with Crowley's Scientific Illuminism then has him throwing in references to Gurdjieff, cut up sections of John Lilly's "Belief's Unlimited," and even a fragment of the Clear Light Prayer from E.J. Gold's The American Book of the Dead. The end of the chapter returns to Scientific Illuminism then ends with IAO, a gnostic appellation for God which Crowley frequently used. This demonstrates the eclectic nature of RAW's transmission and can also be read as a comment that Scientific Illuminism contains much more territory than just Crowley practices. I completely agree.
Gurdjieff's primary instruction = "Remember yourself." Simeon spends most of the chapter giving this instruction in one form or another.
Moments after thinking about how one can see the film "The Red Shoes" as a fictionalized heterosexual version of the relationship between Diaghilev and Nijinsky, I read the reference to Nijinsky on pg. 118. A cool synchronicity.
ReplyDeleteVery few people had heard about quarks when Bob mentioned them in this 1973 novel.
Sput's butler Jameson reminds me of Jeeves. Wodehouse created an archetype influencing many butlers whose names start with J including the Avengers' Jarvis. Stew wrote a terrific song about a man explaining a one night stand to his butler called "The Constellation Jeeves". (Yes, I know technically Jeeves served as a gentleman's gentleman, not as a butler.)
@Eric I asked Tom and Adie to write some things down about the afterword. I know that you and Oz are busy and already running the Vineland group over on RAWillumination. I did not know that about "The Red Shoes:" it's been a long time since I've seen that film but I think I have a copy of it somewhere. Considering the one-time prevalence of "what the butler saw," I wonder how many pornographic versions of Jeeves and Wooster might be floating around.
ReplyDelete@Oz, after reading the Vineland post and then your comments, I am now convinced that there is something going on with "ones," right now. As well as unity, could it also indicate isolation? I chose the title of the post from the dialogue of the novel because it seems to me that we are living in that world. I meant to analyze the words Simeon uses, I'm glad you did so.
Ones upon a time....
DeleteRarebit, one could mean isolation of sorts. "One is the loneliest number." I take it most often in the mystical sense related to Kether in Malkuth or the union of the macrocosm with the microcosm; Samadhi.
DeleteIt gets lonely at the top.
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